Lari Pittman at Regen Projects

I went to the Lari Pittman opening last week. I was introduced to his work when I was at the Art Institute of Chicago about 10 years ago. I was, at the time, skeptical. I was interested in signs (the literal and the figurative) and I thought he was a very good painter, but I never got as excited as many did. I guess one needs to spend more time deciphering the works than I was wanting to invest back then.

The new works are much more interesting to me than the older works were. They seem deeper and definitely more complex. There is also an element to the work that I attribute to the "personal." Having been in the program at Otis and knowing his partner, Roy, and knowing Roy's work and knowing a bit about the objects they collect, I feel I have a bit more access to the work now.

But, then there are very specific subjects in the work that are fascinating: Cacti, fruit, overgrowth, vines, body parts, eggs, lamps, shafts of light. There seems to be a more specific era evoked in the work as well. There is an idea of traditional Americanism that looks toward "bounty" as a sign, but then there is also presented the reality of cultural diversity and the abjectness of this excess. The conflation of various technical depictions adds to this read for me. Woodblock, carvings, patterns and color schemes (could these be viewed as Latin American, as well?).

A quote from the press release doesn't give much narrative explanation but does talk nicely about the dichotomies that exist in the work:

In these new works, a rough, dark, and unsettled undercurrent is present. A formal and conceptual tension exists – an antithetical dynamic structured by the co-existence of numerous dichotomies. This simultaneity of opposites is illustrated in the themes found within the works: somber/celebratory, death/life, beautiful/ugly, utopic/dystopic, sublime/profane, radiant/contaminated. Formally, Pittman's paintings are also structured by dichotomies – abstraction/figuration, personal imagery/broad cultural signs, reality/illusion. Within this play of opposites, a tension is created that draws the viewer in and invites them to explore the event unfolding before them.

Be sure to check it out soon. The show closes October 20th.